ZYX UNIverse Optimum & III
Our most sincere gratitude goes to Nakatsuka san, for creating yet another masterpiece. For those who only want the very best: UNIverse Optimum & UNIverse III. This is the music as is.
Please note current models of UNIverse series are UNIverse Optimum and UNIverse III. Previous models (UNIverse Premium, UNIverse II and UNIverse ) are all discontinued.
Please contact us for further details including prices. We have generous upgrade path for customers with the older models of UNIverse.
On UNIverse Optimum:
“Another ceiling has been shattered, another mountain conquered, and another superlative surpassed. The new ZYX UNIverse Optimum moving coil phonograph cartridge has raised above the very high pinnacle of performance set by the ZYX UNIverse Premium, reviewed here on 10 Audio” — Jerry Seigel
2018 Positive Feedback Brutus Award just received. “What amazing clarity! What tonal balance and impressive neutrality! What well-integrated harmonics, with a transparent presentation that made every album that I listened to for six weeks simply stand revealed for what it was! Frankly, I fell in love with what the ZYX UOX was doing, with nary a quibble or objection in hearing. This cartridge floated neutrality in all of its glory, without making it obnoxious…not a hint of the analytical, no glare, no midrange hump, no gush or lush…just analogical greatness…..It’s definitely in the front rank of my top-o’-the-heap phono cartridges. If you can afford the scratch, this is one that you should snatch!.” — David W. Robinson
Richard Mac, Part-time Audio
“ZYX UNIverse Optimum is one of the finest phono cartridges I have ever heard”
[“The 0.24mv output UNIverse Premium, the immediate predecessor to the ZYX UNIverse Optimum, is already a titan amongst phono cartridges. In the 2016 review, I said “the ZYX Premium has achieved tonal perfection, with no identifiable weakness whatsoever,” and rightfully so. From its endless frequency extension at both ends of the frequency spectrum to its remarkable neutrality in tonal balance, to its vivid realism in instrument separation and sound staging, to its ability to render minute details, I truly could not find fault with the ZYX Premium cartridge.”] “It is now the new reference standard for me, by which all future cartridges will be judged against.”
On ZYX UNIverse Premium (discontinued) …..
“The ZYX UNIverse Premium has achieved tonal perfection, with no identifiable weakness whatsoever.”
— Richard H. Mak, ToneAudio
“The sound of the ZYX UNIverse Premium meets or exceeds every expectation I ever imagined for the potential of the vinyl LP. It leaves me wanting for nothing. The ZYX UNIverse Premium is the most perfect and most successful audio component that this lifelong audiophile has heard. It is staying for the long term. ”
— Jerry Seigel, 10 Audio
Please read the review by Doug Deacon.
Less Is More
The innovative and creative genius at ZYX has married two great achievements into a single cartridge. The inner workings of the UNIverse have been re-housed in the semi-nude body of the 4D to create the UNIverse II. It is a match made in heaven.
On hearing the UNIverse II for the first time we noticed a nice incremental increase in speed and resolution, resulting in a little more articulation, weight, detail and space around the instruments, compared to the original UNIverse. A pleasant improvement that wasn’t entirely unexpected from the change of the cartridge body. As a few more LP’s were played we noticed that the exceptional air and separation around the violins and woodwinds that we had always enjoyed now extended to the tubas and double basses. Pulling out records with rich, densely scored bass lines was an eye-opener. All the bass instruments were in their own individual space with surprisingly greater resolution of textural detail. Yet despite this avalanche of additional information, what really came through was the rhythmic punch and drive of the music. There is an added unification of the whole sound space that came with the additional spacial focussing of all the orchestral instruments. The UNIverse lifted the veil between the listener and the sound space. The UNIverse II completely immerses the listener in the sound space of the recording.
With the original UNIverse it was often possible to get lost in the admiration of the instrumental detail that was revealed in the mid range and highs to infinity. Despite extending this level of resolution well into the bass, it is the music and the emotional intent of the composer that comes through with the UNIverse II. Our best efforts to assess the clinical advantages of the UNIverse II were often cut short as we were pulled back into the music. It is not easy to evaluate the increased width and depth of the sound stage with involuntary head and shoulder sways induced by the beat of the music. For those that subscribe that music is built from the bass up, the UNIVerse II provides a strong, immensely satisfying and solid foundation.
The last thing I want to do is give the impression of detail, upon detail – but where’s the music? The music is there, first and foremost, the added detail enhances the listening experience. Those familiar with the extraordinary openness of the UNIverse know how revealing the sound can be for instruments like violin and acoustic guitar. They sound like real instruments and it is easy to visualize the sound box behind the strings. The UNIverse II extends this level of realism to the lower registers. There is a far greater clarification of the individual voices of each organ pipe. It is not just a low “C” the individual pipe is now easily recognized. As the size and shape of the body of a harpsichord can be so easily constructed from all the sonic information generated by the UNIverse, the same is now true for kettle drums with the UNIverse II. Everything can now be heard, from the striking of the taut skin and the reflections and resonances within the body of the drum to the subtle differences between two adjacent drums. The open body of the 4 D frees the UNIverse II to generate added weight, solidity and impact of every drum beat. The redesign has eliminated any perceived bass constraint of the original UNIverse.
The 4D body also brings the set up advantages of the 4D to the UNIvese II. As with any cartridge, the more time and care spent on alignment, tracking force and VTA optimization the better the results. This was especially true for the UNIverse; once the alignment and tracking force had been set properly then the VTA needed to be adjusted for each LP to get the very best sound. As with the Atmos/4D the UNIverse II has significantly broader tolerance for less than absolutely perfect arm height. We swapped records without adjusting the arm height for each LP and felt no overwhelming need to make any change. We have bemused many audiophile friends by our constant adjustment of arm height to get the very best out of the UNIverse. This is due to the drop in performance when the VTA isn’t exactly right. The arm height does need to be keyed in for the UNIverse II, but there is no need to make constant adjustments. Optimal sound requires optimal set-up, but the performance drop off due to the slight variations in arm height from one LP to the next are not significant.
The UNIverse II delivers all of the phenomenal air, detail and clarity of the original UNIverse and extends those qualities to the bass. The 4D body enhances all of the strengths of the UNIverse with better imaging, resulting in wider and deeper sound stages. With more percussive impact and rhythmic drive the UNIverse II easily out performs both the UNIverse I and the 4D. Our previous review of the Atmos (4D) left options as to which cartridge was better suited to any particular type of music. With the UNIverse II outperforming both predecessors there is no question about which top performing ZYX cartridge to invest in.
Less is more – so very much more.